Haliloğlu, Nagihan
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İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat Bölümü
Karşılaştırmalı Edebiyat Bölümü’nün vizyonu, özellikle Avrupa ve Orta Doğu dillerinde yazılmış eserleri hem birbirleriyle hem de Türk Edebiyatı’yla mukayese ederek, medeniyetlerin geçişkenliği hakkında bilgi üretmek ve farkındalık yaratmaktır. Eleştirel bakış açısının temel alınacağı Bölümde, edebiyat, dil, kültür, sinema alanlarındaki gelişmeleri yakından takip edip, tartışmalara katkı sağlayacak bilim insanları yetiştirmeyi hedeflemektedir.
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Nagihan Haliloğlu
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Area Studies Social Sciences , Religion Literature Government & Law
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Yayın Islamophobia in French Fiction: Michel Houellebecq(IIIT Georgia Winter School, 2019) Haliloğlu, Nagihan; Haliloğlu, Nagihan; İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat BölümüMichel Houellebecq’s novel Soumission, about an Islamic party coming to power in France, attracted a lot of critical attention after the horrendous attacks on the Charlie Hebdo offices. This paper aims to look at the novel Submission and its reception by reviewers, which reveals the book to be yet another cultural product upon which we can transfer our agendas and silences. I will look at reviews from the Anglophone world and a radio programme ‘Saturday Review’. These are assessments of the novel that claim that Houellebecq’s gender politics, and the metaphors he uses for gender politics too often get neglected in favour of his apocalyptic approach to the state of society in Europe. The reviews both question and demonstrate how acceptable it is to use misogynist and anti-Muslim rhetoric in works of fiction, and through that discussion reveal, once again how anti-woman and anti-Muslim rhetoric and wording can be interchangeable; particularly when it comes to intellectual capacity. When critics condemn one, they have to condemn the other, and it reveals current understandings of the limits of free speech: some identities are more malignable than others. Houellebecq’s Soumission, I argue, forms a part of the geneaology of conflating all manners of subalterns, in this case women and Muslims.Yayın Replacement and genealogy in Jane Eyre and wide sargasso sea(Palgrave McMillan, 2018) Haliloğlu, Nagihan; İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat Bölümü; İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat BölümüThis is a polemical paper trying to formulate a poetics of replacement and genealogy based on Charlotte Bronte’s Jane Eyre and Jean Rhys’s Wide Sargasso Sea. Thornfield, in the book Jane Eyre, is one of the most famous haunted houses of British literature where, at the superficial level, the character of Jane Eyre replaces Antoinette as the female partner of the man of the house. Thornfield and the two women in it, representing different types of femininity, have haunted both novelists and theorists for decades, and have given us the typology of the ‘mad woman in the attic’. The idea of replacement, in the context of ‘writing back’, can be seen as a larger question of the literary cannon: just as one character can be a replacement for another, so can one literary work act as replacement for another. This idea allows us to conceptualize replacement as a function of genealogy: replacement can be a mode of reiteration, or even a compulsive repetition. When it comes to the story line, the central ‘replacement’ in Jane Eyre is Rochester trying to replace Antoinette as partner; the replacement in Wide Sargasso Sea is the replacement of Jane Eyre with Antoinette as the protagonist.
