Haliloğlu, Nagihan
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İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat Bölümü
Karşılaştırmalı Edebiyat Bölümü’nün vizyonu, özellikle Avrupa ve Orta Doğu dillerinde yazılmış eserleri hem birbirleriyle hem de Türk Edebiyatı’yla mukayese ederek, medeniyetlerin geçişkenliği hakkında bilgi üretmek ve farkındalık yaratmaktır. Eleştirel bakış açısının temel alınacağı Bölümde, edebiyat, dil, kültür, sinema alanlarındaki gelişmeleri yakından takip edip, tartışmalara katkı sağlayacak bilim insanları yetiştirmeyi hedeflemektedir.
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Nagihan Haliloğlu
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Area Studies Social Sciences , Religion Literature Government & Law
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Yayın Replacement and genealogy in Jane Eyre and wide sargasso sea(Palgrave McMillan, 2018) Haliloğlu, Nagihan; İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat Bölümü; İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat BölümüThis is a polemical paper trying to formulate a poetics of replacement and genealogy based on Charlotte Bronte’s Jane Eyre and Jean Rhys’s Wide Sargasso Sea. Thornfield, in the book Jane Eyre, is one of the most famous haunted houses of British literature where, at the superficial level, the character of Jane Eyre replaces Antoinette as the female partner of the man of the house. Thornfield and the two women in it, representing different types of femininity, have haunted both novelists and theorists for decades, and have given us the typology of the ‘mad woman in the attic’. The idea of replacement, in the context of ‘writing back’, can be seen as a larger question of the literary cannon: just as one character can be a replacement for another, so can one literary work act as replacement for another. This idea allows us to conceptualize replacement as a function of genealogy: replacement can be a mode of reiteration, or even a compulsive repetition. When it comes to the story line, the central ‘replacement’ in Jane Eyre is Rochester trying to replace Antoinette as partner; the replacement in Wide Sargasso Sea is the replacement of Jane Eyre with Antoinette as the protagonist.Yayın Ottoman chronotope for the mediterranean in Evliya Çelebi’s seventeenth-century travelogue Seyahatname(University of Malta, 2017) Haliloğlu, Nagihan; Haliloğlu, Nagihan; İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat BölümüThis article investigates the ways in which the Ottoman traveller Evliya Çelebi perceived and represented the various political powers and cultural heritages in the Mediterranean, through a reading of his seventeenth-century travelogue, Seyahatname. I argue that Evliya’s text reveals the palimpsest of political power and cultural hegemony extant in the Mediterranean of his time and attempts to legitimise Ottoman rule, employing several tropes and narrative threads. For Evliya, the Mediterranean is primarily a battlefield that has witnessed the victories and defeats of the Ottomans throughout their history. Evliya’s Seyahatame, in that sense, is within the tradition of travel writing in the service of imperial meaning-making and meaning-sustaining processes. I call the narrative structure under which Evliya’s observations are gathered the Ottoman Chronotope: a chronotope that highlights the project of sustaining a commonwealth, through ties of commerce and faith. In Evliya’s text the islands become a geography where the Ottomans’ sense of mission and empire is bolstered by ‘old books’ and oral narratives that he claims were popular particularly among the Mediterranean Greek population.Yayın Parsing a neighborhood palimpsest: The case of Balat(Indiana University Press, 2022) Haliloğlu, Nagihan; Haliloğlu, Nagihan; İnsan ve Toplum Bilimleri Fakültesi, Karşılaştırmalı Edebiyat BölümüThis paper explores how layers of history can be parsed in a neighborhood through narrative analysis, using Balat, an old quarter of Istanbul, as a case study. The study tests the relevance of several methodologies and concepts, including palimpsest, chronotope and heterotopia, to see whether local, Constantinopolitan iterations of these ways of reading can be marshalled instead. To that end, it has recourse to Ahmet Hamdi Tanpınar's extensive writing on Istanbul to expand on concepts such as terkip, macera and buhran. These concepts are traced backwards and forwards in time to see how they apply to different writers' work on Istanbul/Constantinople through the ages, such as Odo of Deuil, Evliya Çelebi, John Ash and Orhan Pamuk. This comparative exercise reveals an affective bond between the writers, one that favors imperial melancholia and nostalgia. The contemporary nostalgia/melancholia affect is then shown to be either savored or shunned by Istanbulites and visitors, as they make use of this poetics of the past as cultural capital, they may invest in for use on social media today.
