Suraija Roschan Faroqhi

Tarih Bölümü, çok-yönlü, disiplinler-arası, mukayeseli ve sosyolojik bir zenginlik üretmeyi; bu suretle, gerek Avrupa-merkezci veya Batı-merkezci, gerekse dar Osmanlı-Türk odaklı yaklaşımları aşmayı amaçlamaktadır.

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Osmanlı Tarihi, Sosyal Tarih, Kentsel Üretim ve Tüketim

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Introduction
(SAGE, 2019) Faroqhi, Suraija Roschan; İnsan ve Toplum Bilimleri Fakültesi, Tarih Bölümü
Very often, the editors responsible for collections of articles will statethat they have joined originally disparate contributions into coherentpublications that resemble single-author books. Put differently, theseeditors claim to have established strong connections between the piecesentrusted to them by individual authors. Often these editors will go so faras to rename the articles at issue, now calling them ‘chapters’. By contrast,the present collection is consciously eclectic, and the editor does not aimat presenting the eight articles appearing here as parts of a unified whole.Rather, I hope that readers will be able to visualise, at least in part, thediversity of approaches to pre-1850s Ottoman social history as practicedtoday. Moreover, this collection should make visible some trends thatmay be relevant for the future, the historians at issue—with the exceptionof the present author—being either young scholars or else in mid-career.
A cultural history of the Ottomans: the imperial elite and its artefacts
(İbn Haldun Üniversitesi, 2017) Faroqhi, Suraija Roschan; İnsan ve Toplum Bilimleri Fakültesi, Tarih Bölümü
The Ottoman Empire was more than a center of military and economic activity; it was a vivid and fl ourishing cultural realm. The artefacts and objects remaining from all corners of this vast empire tell us a great deal about the everyday concerns of the Ottomans. In this book, Suraiya Faroqhi, Professor of History at Ibn Haldun University and a leading historian on the Ottoman Empire, has selected the most revealing, surprising essential reading for all students of the Ottoman Empire and its material culture. Christine Woodhead, from the University of Durham, thinks that “Suraiya Faroqhi takes the reader on a journey of discovery: whether in the shape of a crown, a tent, a rosewater bottle, a pistol, or a coff ee cup, artefacts are here used to narrate a new cultural history of the Ottoman empire. With unique erudition and fl air, Faroqhi combines bold interpretations and intimate and littleknown stories. The Ottoman elites, as if by magic, become alive.”

Faroqhi, Suraija Roschan

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